Swift Gallery Artist Larry Caveney speaks on "why he began using clothin...

Artist  Larry Caveney Speaks about how he began using clothing to build canvases and how the use of clothing moved from an allegorical use to abstraction. Don't forget to come by and meet the Artist tonight, February 4th between 5 and 8 pm.

The Evolution of the Party Whites

Artist Larry Caveney shares some brief thoughts on the emergent process which has resulted in the body of work currently on display at the Martha Pace Swift Gallery.

Swift Gallery Artist Larry Caveney on Perception and Illusion .wmv

Larry Caveney's "Party Whites" series to open January 7th at the Swift

Artist Larry Caveney is returning his talents to the Martha Pace Swift Gallery with a show that is all about process , transformation and deconstruction. These muscular canvases are really more hanging sculpture than painting, built-up out of sculpted fabric, and the surfaces reworked in depth. An interesting detail about these canvases is that they have shown in the space before. In mid 2008, before the Gallery Space was dedicated or lit, the canvases were already displayed in the hallways of the building, but anyone seeing that show would be hard pressed to recognize the pieces. That is because Caveney has continued to work the surfaces, in a practice of moving forward through the arc of a longer set of processes, applied across a body of work.

The works original pallette of yellows, blues and reds and  became completely obscured through the addition of white paint. Then into these newly pristine topographical landscapes, Caveney began a new series of operations on the canvases adding in process color through collage. 

As the process continues to progress, His latest process involves sanding away image ,
weathering in the traces, in the way that mimics the forces of weathering and erosion
which shapes the world around us. 



Are the Party Whites finished?  Remembering the series original title, "Can't Say" it now seems oddly precient. Already within the show, there are some pieces moving towards new transformations, with the weathering and stripping away technique. However, thanks to careful documentation, we do know where they came from.

Watch the Party White's history and transformation here.

See you at the opening-
Wes

The Swift Hosts The 7th Annual Expressive Arts Week Show

The Expressive Arts Institute has a 12 year history of providing graduate level training in expressive arts therapy. For seven of those years, the institute has also been taking an annual opportunity to make public the work of students through the display of their client art.



Silhouette, 72" x36"



The shows are full of surprise, moving and powerful meet playful and lively in an intense immersion in the world of artistic expression for the purpose of change, growth and healing. In the past 7 years, students working in shelters, and half-way houses, YWCA's and veterans recovery centers, in schools, senior centers, and hospice, have all brought forth art from these intensly private settings for public display. The artists often come to the shows, bringing friends and family members to share the works which they see as marks of progress, signs of change, and badges of honor.



An untitled painting by Lt. L. Ferguson, a participant in Camp Pendleton’s Wounded Warrior Program. Acrylic on paper 36".x 48"



In every show there are pieces worth taking in. I'll be posting more about the event as the month passes, but get there quick. It all comes down Devember 17th to make way for the next one man show, works on canvas constructions by Larry Caveney.

James Watts Show moves out....mostly....

from this...

With a little fanfare and a lot of sweat, we reloaded the many works of James Watts onto a U-Haul today, marking the end of an extraordinary show. James was in good spirits, and brought helpers for the task of wrapping and packing for storage. He leaves behind many good memories, including his artistic demonstrations at First Fridays in sculpture and still life, complete with audience participation...

....to this...

...to this.

The space has an anticipatory emptiness now, which we hope to fill with the next, very special show, our annual client artist show, featuring the works of persons served by students and Graduates of the Expressive Arts Institute of San Diego, a school that teaches expressive arts therapy fopr use with all ages and populations. Full Disclosure for those of you who don't know, I am a director of the Expressive Arts Institute, as well as the curator of the Swift. So expect the next show to be full of art, both naive and beautiful and full of moving meaning and hear-felt expression. That show will open on November 5th 2010 at 5 pm, and I hope to see you there.

James show will be missed, but the good news comes in the form of an agreement between James and Alan Zieter of the NTC Foundation to allow one of the central pieces of the show, the Kokeshi Dollsto remain on site. Weighing in at 450 pounds each, the two did not  re-board the truck, but were instead moved to a location flanking the entrance to the Historic Command Center, building 200.

The new site is a one minute stroll from the Martha Pace Swift Gallery, so when you drop in on us, please take time to visit James' magnificent couple. We'd like to think they miss us as much as we miss them. I am sure of one thing:  they will continue to please, engage and fascinate visitors to the NTC Promenade. See you in November!

Wes

Swift Artist James Watts will be present for show closing October 1st

Viewers at the Martha Pace Swift Gallery were treated to a demonstration of James Watts working in sculpture. James loves working with young artists, and helped several youngsters (and a few parents) learn to make sculptures out of non toxic materials. In addition he answered questions about his own work and history in the arts.

James is an amazingly down to earth and humble about his talents, and he loves to be challenged by new and different adventures in art making, learning from each process. Whether he is painting, sculpting carving or applying metal to carved forms, Watts  handles his materials with a light touch, bringing the attention of a craftsman, the insight of an engineer, and the playfulness of child to his works.

If you haven't yet visited the Swift Gallery at NTC Promenade, I highly encourage you to take in this innovative tour-de-force before it dissappears.